Sculptor Anton van Wouw was born in 1862 in Driebergen near Utrecht in Holland.
He came to South Africa in 1890 to work in the booming building trade in the Transvaal Republic.
Published to coincide with the exhibition, Standard Bank Gallery, Johannesburg, 2017. Neelika Jayawardane "Anecdotes Of That Which Is So Visible It Cannot be Seen: on the supernatural in Andrew Tshabangu's work" by Bonaventure Soh Bejeng Ndikung "'No Hawkers': signs taken for Johannesburg" by Hlonipa Mokoena "The Value of Andrew Tshabangu's Photography" by Simon Njami "Andrew Tshabangu's City" by Bronwyn Law-Viljoen "Incomparable: the art of Andrew Tshabangu in context" by Michael Godby Andrew Tshabangu has been making photographs for over twenty years.
He was born in 1966 in Johannesburg, where he currently lives and works.
2 Includes the essay, "Forbidden Pleasures, exercises in autophagia" by Achille Mbembe. A collection of original African stories, written and illustrated by Capetonians. Barbara Wildenboer was born in 1973 and lives and works in Cape Town. He has a studio in Cape Town and travels frequently to Knysna.
Published to coincide with the exhibition, "Barend de Wet: Green", SMAC Art Gallery, Stellenbosch, 2010. Catalogue of the exhibition, Stevenson, Cape Town, 2014.
Includes the essays: "(un)Earthing History: ceramics at the Durban Art Gallery" by Elizabeth Perrill "A History of Ceramics at the Durban University of Technology" by Tony Starkey "Continuity and Change: ceramics at the Centre for Visual Art, UKZN PMB" by Ian Calder "Mediating Indigeneity and a Cross-cultural Aesthetic in Works by Ceramicists from KZN in the Durban Art Gallery's Collection" and "Rorke's Drift Ceramic Traditions in Context" by Juliette Leeb du-Toit "The Nala Dynasty: the relevance and importance of these Utshwala vessels" by Juliette Armstrong "Ardmore Ceramics" by Valerie Leigh.